Techniques

The primitive vocabulary of Shaolin Gung Fu. Each technique is shown with its T/S/M coordinate when those facet slots exist.

38 techniques
Vocabulary

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t
s
m
38 shown
Technique
non_combat: the foundational wide, parallel-footed, knees-bent stance used to build leg strength and a stable base before any technique training

Horse Stance (Mabu)

shaolin-horse-stance
Technique
non_combat: an attacking stance with the front leg bent and the rear leg straight, weighting the front leg to drive power into a punch

Bow Stance (Gongbu)

shaolin-bow-stance
Technique
non_combat: weight held entirely on the rear leg with the front foot resting lightly on its toe, enabling quick punches and evasive shifts

Empty Stance (Xubu)

shaolin-empty-stance
Technique
non_combat: one leg deeply bent, the other extended nearly flat to the ground, used to defend against high attacks and deliver low-level strikes

Drop Stance (Pubu)

shaolin-drop-stance
Technique
non_combat: legs crossed and bent, sitting low to protect the groin while preparing rapid lateral movement or a side kick

Cross Stance (Xiebu)

shaolin-cross-stance
Technique
non_combat: standing balanced on one leg with the other knee raised above the navel, used before a medium- or high-level kick

One-Leg Stance (Dulibu)

shaolin-one-leg-stance
Technique
non_combat: a closed, feet-together ready/greeting posture used to open and close a training sequence

Feet-Together Stance (Bingbu)

shaolin-feet-together-stance
Technique
non_combat: a low crossed-leg stance, one shin and thigh pressed to the ground, used for quick lateral withdrawal

Lohan Sleeps Stance

shaolin-lohan-sleeps-stance
Technique
percussion: rectilinear hand strike (level-fist straight thrust)

Thrust Punch (Choong Choui)

T1S1M1shaolin-thrust-punch
Technique
percussion: rectilinear hand strike (upward-driving punch)

Cannon Punch (Pao Choui)

T1S1M1shaolin-cannon-punch
Technique
percussion: curvilinear hand strike (hooking punch)

Horn Punch (Ngow Kok Choui)

T1S1M1shaolin-horn-punch
Technique
percussion: angled hand strike (diagonal punch)

Diagonal Punch (Wang Phek Choui)

T1S1M1shaolin-diagonal-punch
Technique
percussion: arced hand strike (horizontal sweeping punch)

Sweeping Punch (Sou Choui)

T1S1M1shaolin-sweeping-punch
Technique
percussion: flicking hand strike (whipping punch, horizontal or downward)

Whip Punch (Pean Choui)

T1S1M1shaolin-whip-punch
Technique
percussion: descending hand strike (chopping punch to limb, collarbone, or back)

Chopping Punch (Phak Choui)

T1S1M1shaolin-chopping-punch
Technique
percussion: grip-clearing hand strike (smashing counter to a seized limb)

Smashing Punch (Kham Choui)

T2S1M1shaolin-smashing-punch
Technique
percussion: close-range hand strike (punch delivered from the armpit)

Armpit Punch (Kap Theai Choui)

T1S1M1shaolin-armpit-punch
Technique
manipulation: seizing grip (tiger claw — flesh pull, pressure-point paralysis, or joint dislocation)

Tiger Claw

T1S2M3shaolin-tiger-claw-strike
Technique
manipulation: seizing grip (eagle claw — powerful controlling grasp)

Eagle Claw

T1S2M3shaolin-eagle-claw-seize
Technique
percussion: rectilinear hand strike (single-knuckle vital-point strike)

Phoenix-Eye Fist

T1S1M1shaolin-phoenix-eye-fist-strike
Technique
percussion: rectilinear hand strike (half-closed-fist ridge-knuckle strike)

Leopard Fist

T1S1M1shaolin-leopard-fist-strike
Technique
percussion: rectilinear hand strike (open-palm strike)

Dragon Palm

T1S1M1shaolin-dragon-palm-strike
Technique
percussion: rectilinear hand strike (fingertip thrust or slicing strike)

Snake Hand

T1S1M1shaolin-snake-hand-strike
Technique
percussion: rectilinear hand strike (bunched-fingertip strike to a vital point)

Crane Beak

T1S1M1shaolin-crane-beak-strike
Technique
percussion: rectilinear foot strike (frontal heel thrust kick)

Thrust Kick (White Horse Presents Hoof)

T1S1M2shaolin-thrust-kick
Technique
percussion: lateral foot strike (heel side kick)

Side Kick (Happy Bird Hops up Branch)

T1S1M2shaolin-side-kick
Technique
percussion: rectilinear foot strike (snapping knee-up instep kick to a vital target)

Organ-Seeking Kick (Yellow Bird Drinks Water)

T1S1M2shaolin-organ-seeking-kick
Technique
percussion: rotational foot strike (spinning kick)

Whirlwind Kick (Naughty Monkey Kicks Tree)

T1S1M2shaolin-whirlwind-kick
Technique
percussion: rectilinear foot strike (high kick, rarely used)

Sky-Striking Kick (Lone Drake Leaves Crowd)

T1S1M2shaolin-sky-kick
Technique
percussion: rectilinear hand strike (bow-step lunging thrust punch)

Black Tiger Steals Heart

T1S1M1shaolin-black-tiger-steals-heart
Technique
manipulation: deflecting redirect (dragon-hand threading parry against a high attack)

Golden Dragon Plays with Water

T2S1M3shaolin-golden-dragon-plays-with-water
Technique
percussion: lower-limb percussion (leg-check counter-strike against an incoming kick)

Save Emperor with a Single Whip

T2S1M2shaolin-save-emperor-single-whip
Technique
non_combat: rearward-then-forward body sway that reverses a disadvantageous position without any strike, hold, or contact

Beauty Looks at Mirror

shaolin-beauty-looks-at-mirror
Technique
manipulation: manipulation: whole-body displacement (two-palm push after taming the opponent's arm)

Fierce Tiger Pushes Mountain

T2S2M4shaolin-fierce-tiger-pushes-mountain
Technique
manipulation: manipulation: whole-body displacement (shoulder throw with elbow dislocation)

Elbow-Dislocation Shoulder Throw

T2S3M4shaolin-elbow-dislocation-throw
Technique
manipulation: manipulation: whole-body displacement (tiger-claw seize into an elbow-dislocation shoulder throw)

Farmer Hoes Rice Field (Seize-and-Throw)

T2S3M4shaolin-farmer-hoes-rice-field-throw
Technique
percussion: rectilinear hand strike (palm thrust to throat or eye)

Angry Leopard Charges at Fire

T1S1M1shaolin-angry-leopard-charges-at-fire
Technique
percussion: rectilinear hand strike (forward strike from Bow-Arrow Stance to the face)

Green Dragon Rushes at Face

T1S1M1shaolin-green-dragon-rushes-at-face
Statistical analysis

Shape of the vocabulary

How the linked techniques distribute across the facets, counted once each.

Temporal — who acts firstn=29 types
T1 79%T2 21%
Spatial — range of resolutionn=29 types
S1 83%S2 10%S3 7%
Modal — mechanismn=29 types
M1 59%M2 21%M3 10%M4 10%

Reading

This is the vocabulary’s reach. The forms’ signature, when encoded, shows what the curriculum emphasises.