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Eskirmology/The Field/Judo/Techniques

Techniques

The primitive vocabulary of Judo. Each technique is shown with its T/S/M coordinate when those facet slots exist.

187 techniques
Vocabulary

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187 shown
Technique
A standing ashi-waza throw: tori breaks uke's balance to the rear or right-rear corner, shifting uke's weight onto the trailing heel, then reaps that leg from outside with tori's own leg to take uke to the mat.

O-soto-gari (大外刈, major outer reap)

T1S3M4o-soto-gari
Technique
A te-waza throw: tori breaks uke's balance to the front or right-front corner, pivots so the bent right elbow passes under uke's right armpit, loads uke across the back, and throws uke over the shoulder.

Seoi-nage (背負投, shoulder throw)

T1S3M4seoi-nage
Technique
A koshi-waza throw: tori breaks uke's balance to the front or right-front corner, enters deeply hip-to-hip, then lifts with the hips and twists to bring uke down at tori's feet.

O-goshi (大腰, major hip throw)

T1S3M4o-goshi
Technique
An ashi-waza throw: at the instant uke steps forward or backward and is on the verge of placing weight onto the stepping foot, tori sweeps that foot from the rear, side, or front, taking uke down sideways.

De-ashi-harai (出足払, advanced/forward foot sweep)

T2S3M4de-ashi-harai
Technique
A te-waza throw: tori breaks uke's balance to the right-front corner, opens the body and steps the blocking leg in front of uke's right foot, then pulls uke down and over that leg with both hands.

Tai-otoshi (体落, body drop)

T1S3M4tai-otoshi
Technique
An ashi-waza throw: tori opens uke's stance a little, breaks uke's balance to the front or right-front corner so uke bends forward, then reaps uke's inner thigh deeply from the inside with the back of tori's own thigh while turning.

Uchi-mata (内股, inner-thigh reaping throw)

T1S3M4uchi-mata
Technique
An osaekomi-waza hold-down: tori, positioned at uke's right side facing uke's head, grips the judogi under uke's right armpit with the left hand and behind uke's shoulder with the right arm passed around uke's neck, pinning uke's upper body to the mat.

Kesa-gatame (袈裟固, scarf hold)

T1S2M3kesa-gatame
Technique
An osaekomi-waza hold-down: tori kneels above uke's head, reaches under uke's shoulders to grip both sides of uke's belt, and presses the body down onto uke's to pin uke to the mat.

Kami-shiho-gatame (上四方固, upper four-corner hold)

T1S2M3kami-shiho-gatame
Technique
Tori breaks uke's balance toward the right-front corner, places the sole of the left foot on uke's right kneecap as a pivot, and throws by pulling uke's upper body over that pivot.

Hiza-guruma (膝車)

T1S3M4hiza-guruma
Technique
Tori breaks uke's balance to the right-front corner, blocks uke's supporting right leg just above the ankle with the sole of the foot, then leans back and twists left to throw uke over that block.

Sasae-tsurikomi-ashi (支釣込足)

T1S3M4sasae-tsurikomi-ashi
Technique
Tori breaks uke's balance to the front or right-front corner, enters shallowly with the right hip while wrapping the right arm around uke's waist, and twists left to throw uke over the hips without raising them.

Uki-goshi (浮腰)

T1S3M4uki-goshi
Technique
Tori breaks uke's balance toward the left-rear corner, opening uke's stance and shifting weight onto the left heel, then steps deeply with the right leg and reaps uke's left leg from the inside in a large motion to throw uke backward.

O-uchi-gari (大内刈)

T1S3M4o-uchi-gari
Technique
Tori breaks uke's balance to the rear or right-rear corner, then sweeps uke's right ankle from the rear with the sole of the left foot to throw uke backward.

Ko-soto-gari (小外刈)

T1S3M4ko-soto-gari
Technique
Tori breaks uke's balance to the rear or right-rear corner, then sweeps uke's right ankle from the inside with the sole of the right foot to throw uke backward.

Ko-uchi-gari (小内刈)

T1S3M4ko-uchi-gari
Technique
Tori breaks uke's balance to the front or right-front corner, places the right hip solidly against uke's body, and draws uke up and over the hips in a large motion while gripping the collar.

Koshi-guruma (腰車)

T1S3M4koshi-guruma
Technique
Using collar and sleeve grips, tori breaks uke's balance to the front or right-front corner, drops the hips to thigh level, then raises them again while pulling with both hands to throw uke over the hips.

Tsurikomi-goshi (釣込腰)

T1S3M4tsurikomi-goshi
Technique
Tori breaks uke's balance to the right side; as uke's own corrective step moves the right foot leftward to rebalance, tori follows that movement with the left foot and sweeps both of uke's legs, throwing uke onto the back.

Okuri-ashi-harai (送足払)

T2S3M4okuri-ashi-harai
Technique
Tori breaks uke's balance to the front or right-front corner, pivots and pulls uke onto the hips, then sweeps uke's right thigh with the back of the right thigh.

Harai-goshi (払腰)

T1S3M4harai-goshi
Technique
Tori breaks uke's balance to the rear or right-rear corner, then hooks uke's right ankle from the rear with the left foot and throws uke backward.

Ko-soto-gake (小外掛)

T1S3M4ko-soto-gake
Technique
Gripping over uke's right shoulder or under the arm to the belt, tori pulls uke forward to break balance to the front or right-front corner, then lifts uke onto the hips and throws.

Tsuri-goshi (釣腰)

T1S3M4tsuri-goshi
Technique
Tori floats uke's balance to the right side, slides the left leg outside uke's right foot, and drops onto the left side to throw uke to tori's left.

Yoko-otoshi (横落)

T1S3M4yoko-otoshi
Technique
Tori floats uke's balance to the front or right-front corner, pivots left, and extends the lower right leg across uke's right knee to throw uke over the leg in a large circle.

Ashi-guruma (足車)

T1S3M4ashi-guruma
Technique
Tori breaks uke's balance to the front or right-front corner, pulls uke close to the right side, and throws via a combined upward-springing action of the right hip and leg.

Hane-goshi (跳腰)

T1S3M4hane-goshi
Technique
Tori pulls and lifts uke forward to break balance to the left-front corner, then sweeps uke's left ankle with the right foot from the front to throw.

Harai-tsurikomi-ashi (払釣込足)

T1S3M4harai-tsurikomi-ashi
Technique
Tori floats uke's balance forward, drops backward while placing the right foot on uke's lower abdomen, and pushes up to throw uke forward over tori's head.

Tomoe-nage (巴投)

T1S3M4tomoe-nage
Technique
Tori breaks uke's balance to the front or right-front corner, lifts uke onto the shoulders across the back of the neck, and throws down.

Kata-guruma (肩車)

T1S3M4kata-guruma
Technique
Tori breaks uke's balance to the front or right-front corner, then falls backward, catching the instep of the right foot behind uke's left knee or thigh to lift and throw uke over tori's head.

Sumi-gaeshi (隅返)

T1S3M4sumi-gaeshi
Technique
Tori breaks uke's balance to the rear or right-rear corner, slides the left foot past the outside of uke's right foot (or behind both feet), and falls back on the left side to throw uke to the right-rear corner.

Tani-otoshi (谷落)

T1S3M4tani-otoshi
Technique
Continuing from an attempted hane-goshi, tori releases the right hand and places it outside while twisting left, wrapping uke's body around tori, and throws by falling forward together with uke.

Hane-makikomi (跳巻込)

T1S3M4hane-makikomi
Technique
Tori wraps both hands around uke's thighs from the front, breaks uke's balance straight to the rear, then scoops uke up and throws backward.

Sukui-nage (掬投)

T1S3M4sukui-nage
Technique
A counter to an attempted harai-goshi or other hip throw: tori bends the knees to block uke's attack, shifts the hips and wraps uke's waist, then lifts onto the hips and throws by twisting.

Utsuri-goshi (移腰)

T2S3M4utsuri-goshi
Technique
Timed to uke's own forward step: tori breaks balance to the front-right corner while pivoting left, extends the right leg straight across uke's lower abdomen/upper thighs, then swings the leg up and back while twisting/pulling down with both hands.

O-guruma (大車)

T2S3M4o-guruma
Technique
Tori floats uke's balance to the right-front corner, releases the right grip and turns left to wrap the right arm around uke's right arm, wrapping uke's body around tori's own, and continues the motion to throw uke forward.

Soto-makikomi (外巻込)

T1S3M4soto-makikomi
Technique
Tori floats uke's balance to the right-front corner, then pulls strongly downward with both hands to throw uke in a circle.

Uki-otoshi (浮落)

T1S3M4uki-otoshi
Technique
Tori breaks uke's balance to the rear/rear-corner, pivots left to extend the right leg diagonally across the back of uke's knee, using the right thigh as a fulcrum to throw uke over.

O-soto-guruma (大外車)

T1S3M4o-soto-guruma
Technique
Tori floats uke's balance to the right-front corner, opens the body wide and extends the left foot to block the outside of uke's right foot, then falls onto the left side to throw uke over tori.

Uki-waza (浮技)

T1S3M4uki-waza
Technique
Tori breaks uke's balance to the front or right-front corner, then drops onto the back/left side while extending both legs out in front of uke to throw uke across tori's outstretched body.

Yoko-wakare (横分)

T1S3M4yoko-wakare
Technique
A counter technique: as uke pulls, tori shifts and wraps the pulling arm around uke's back, positions the knees against uke's knee-hollows, advances while falling backward into a bridge posture, then rotates uke sideways, releasing the pulling hand to grasp behind the shoulder while pushing up on the abdomen to complete the rotation.

Yoko-guruma

T2S3M4yoko-guruma
Technique
A counter to an attempted harai-goshi or other hip throw: tori shifts out of the way, wraps both arms around uke's waist from behind, then swings uke up to throw onto the back.

Ushiro-goshi (後腰)

T2S3M4ushiro-goshi
Technique
Tori wraps both arms around uke's waist from the right side, pulls in close, then lifts and falls backward to throw uke over tori's left shoulder.

Ura-nage (裏投)

T1S3M4ura-nage
Technique
Tori steps to the outside of uke's right foot and uses shifting body momentum plus both hands to break uke's balance to the right-rear corner and throw uke that direction.

Sumi-otoshi (隅落)

T1S3M4sumi-otoshi
Technique
Tori floats uke's balance toward the right-front/little-finger side, breaks it further to the right while sweeping uke's right foot from the front with the sole of the left foot, falling with uke onto tori's left side.

Yoko-gake (横掛)

T1S3M4yoko-gake
Technique
A variation of kesa-gatame performed from uke's side, facing toward uke's head, with tori's knee inserted under uke's armpit.

Kuzure-kesa-gatame (崩袈裟固)

T1S2M3kuzure-kesa-gatame
Technique
A hold similar to kesa-gatame but performed facing toward uke's legs instead of uke's head.

Ushiro-kesa-gatame (後袈裟固)

T1S2M3ushiro-kesa-gatame
Technique
From uke's right side, tori puts the right arm around both uke's neck and right arm and clasps the hands together.

Kata-gatame (肩固)

T1S2M3kata-gatame
Technique
A variation of kami-shiho-gatame in which tori positions one hand over uke's arm and grips the back of uke's collar, while wrapping the left arm around the back of uke's neck and shoulder to grasp the belt.

Kuzure-kami-shiho-gatame (崩上四方固)

T1S2M3kuzure-kami-shiho-gatame
Technique
From uke's right side, tori leans over at a right angle and holds uke down on the back with the body, gripping the belt with the left arm under uke's left shoulder and passing the right arm between uke's legs to grip the trousers.

Yoko-shiho-gatame (横四方固)

T1S2M3yoko-shiho-gatame
Technique
Sitting astride uke's chest, tori leans forward to press uke's upper body down with the chest.

Tate-shiho-gatame (縦四方固)

T1S2M3tate-shiho-gatame
Technique
Typically applied when a supine uke attempts to prevent juji-gatame by locking the arms together: tori removes the leg nearest uke's head, uses both legs as in kesa-gatame, and raises the upper body to face uke — or alternatively places the left leg across uke's neck and under the arm while holding uke's right arm.

Uki-gatame (浮固)

T2S2M3uki-gatame
Technique
Tori places the back toward a prone uke, wraps the right arm around uke's neck and the left arm around one or both legs, and presses uke down with the back.

Ura-gatame (裏固)

T1S2M3ura-gatame
Technique
Facing uke, tori grips uke's collar with crossed hands, thumbs inside the collar, palms down, and strangles by applying pressure to both sides of the neck with the outer edges of both hands.

Nami-juji-jime (並十字絞)

T1S2M3nami-juji-jime
Technique
Facing uke, tori slips the fingers of crossed hands inside both lapels, palms up, and strangles by applying pressure to both sides of the neck.

Gyaku-juji-jime (逆十字絞)

T1S2M3gyaku-juji-jime
Technique
Facing uke, tori crosses the arms to grip uke's left lapel with the left hand (fingers inside) and right lapel with the right hand (thumb inside), then strangles with that cross-gripped action.

Kata-juji-jime (片十字絞)

T1S2M3kata-juji-jime
Technique
From behind uke, tori puts the right inner forearm across the front of uke's neck (palm down), clasps the hands above uke's left shoulder, and strangles by pressure across the front of the throat using both arms together, without gripping the judogi.

Hadaka-jime (裸絞)

T1S2M3hadaka-jime
Technique
From behind uke, tori reaches under uke's left armpit to grip the left lapel with the left hand and around the neck to grip the upper left lapel with the right hand, then changes the left hand to grip the right lapel and strangles with both hands.

Okuri-eri-jime (送襟絞)

T1S2M3okuri-eri-jime
Technique
From behind uke, tori reaches the right arm around uke's neck to grip the left lapel, and slips the left hand under uke's left armpit and around the back of the neck, then strangles by pulling with the right hand and pushing with the left.

Kataha-jime (片羽絞)

T1S2M3kataha-jime
Technique
From uke's right side while uke is on the back, tori grasps uke's left collar with the left hand (thumb inside), then applies throat pressure using the edge of the arm to strangle.

Katate-jime (片手絞)

T1S2M3katate-jime
Technique
Facing uke, tori grips uke's right collar with the left hand and left collar with the right hand, both thumbs inside, and strangles by applying pressure to both sides of the neck with the blade sides of both fists.

Ryote-jime (両手絞)

T1S2M3ryote-jime
Technique
Facing uke, tori positions the right forearm against uke's throat and the left forearm against the back of uke's neck, grips own right sleeve with the left hand and thrusts the edge of the right hand into the right side of uke's neck, then strangles by rotating both arms.

Sode-guruma-jime (袖車絞)

T1S2M3sode-guruma-jime
Technique
Facing uke, tori grips uke's left collar with the right hand and thrusts the edge of the right hand against the right side of uke's neck to strangle.

Tsukkomi-jime (突込絞)

T1S2M3tsukkomi-jime
Technique
Tori wraps the right leg over uke's left shoulder and the left leg under uke's right armpit, catching the right foot under the back of tori's own left knee in a triangular leg formation, then squeezes to strangle the neck.

Sankaku-jime (三角絞)

T1S2M3sankaku-jime
Technique
Tori scissors the trunk of uke's body between the legs.

Do-jime (胴絞)

T1S2M3do-jime
Technique
Tori uses both arms to entangle one of uke's arms while twisting it to the outside or inside to control the elbow.

Ude-garami (腕緘)

T1S2M3ude-garami
Technique
From uke's right side, tori holds uke's right wrist with both hands and traps uke's right upper arm between the thighs, then extends uke's elbow against the joint, toward the little-finger side, to control it.

Ude-hishigi-juji-gatame (腕挫十字固, cross lock)

T1S2M3ude-hishigi-juji-gatame
Technique
Tori places uke's left wrist between the shoulder and neck, thumb-side down, and uses both hands to apply pressure from above to control uke's elbow against the joint.

Ude-hishigi-ude-gatame (腕挫腕固)

T1S2M3ude-hishigi-ude-gatame
Technique
Tori pins uke's left armpit with the left hand while pressing a knee against uke's elbow joint to control it.

Ude-hishigi-hiza-gatame (腕挫膝固)

T1S2M3ude-hishigi-hiza-gatame
Technique
From uke's right side, tori grips uke's right wrist with both hands and pins uke's arm under the armpit, then controls it by applying pressure against the elbow joint.

Ude-hishigi-waki-gatame (腕挫腋固, armpit lock)

T1S2M3ude-hishigi-waki-gatame
Technique
From uke's right side, tori grips uke's right wrist with the right hand and presses the abdomen against uke's elbow to extend it against the joint and control it.

Ude-hishigi-hara-gatame (腕挫腹固, stomach lock)

T1S2M3ude-hishigi-hara-gatame
Technique
From the left side of a face-down uke, tori positions the body over uke and hooks the left leg around uke's left forearm to extend and control the elbow joint.

Ude-hishigi-ashi-gatame (腕挫脚固)

T1S2M3ude-hishigi-ashi-gatame
Technique
Tori reaches the left hand under uke's right armpit to grip uke's left front collar while gripping uke's right wrist with the right hand to extend uke's elbow against the joint (an alternative form grips uke's wrist and twists it behind uke to control the elbow).

Ude-hishigi-te-gatame (腕挫手固)

T1S2M3ude-hishigi-te-gatame
Technique
From uke's front, rear, or side, tori wraps the right leg over uke's shoulder and across the neck and the left leg under uke's right armpit, hooking the feet together in a triangular formation, while applying hand control to extend and control uke's elbow joint.

Ude-hishigi-sankaku-gatame (腕挫三角固, triangular armlock)

T1S2M3ude-hishigi-sankaku-gatame
Technique
Tori wraps the left leg around uke's right leg from the outside and below to apply pressure to the knee joint, typically executed following a failed tomoe-nage or similar throw.

Ashi-garami (足緘)

T1S2M3ashi-garami
Technique
manipulation: whole-body displacement (belt drop)

Obi-otoshi

T1S3M4obi-otoshi
Technique
manipulation: whole-body displacement (shoulder drop)

Seoi-otoshi

T1S3M4seoi-otoshi
Technique
manipulation: whole-body displacement (mountain storm)

Yama-arashi

T1S3M4yama-arashi
Technique
manipulation: whole-body displacement (major outer drop)

O-soto-otoshi

T1S3M4o-soto-otoshi
Technique
manipulation: whole-body displacement (side sacrifice, high separation)

Daki-wakare

T1S3M4daki-wakare
Technique
manipulation: whole-body displacement (front sacrifice, pulling-in reversal)

Hikikomi-gaeshi

T1S3M4hikikomi-gaeshi
Technique
manipulation: whole-body displacement (front sacrifice, rice-bag reversal)

Tawara-gaeshi

T1S3M4tawara-gaeshi
Technique
manipulation: whole-body displacement (side sacrifice, inner wrap-around)

Uchi-makikomi

T1S3M4uchi-makikomi
Technique
manipulation: whole-body displacement (two-hand reap)

Morote-gari

T1S3M4morote-gari
Technique
manipulation: whole-body displacement (single-leg takedown)

Kuchiki-taoshi

T1S3M4kuchiki-taoshi
Technique
manipulation: whole-body displacement (heel reversal)

Kibisu-gaeshi

T1S3M4kibisu-gaeshi
Technique
manipulation: whole-body displacement (counter, inner-thigh void)

Uchi-mata-sukashi

T2S3M4uchi-mata-sukashi
Technique
manipulation: whole-body displacement (counter, swallow reversal)

Tsubame-gaeshi

T2S3M4tsubame-gaeshi
Technique
manipulation: whole-body displacement (counter, minor inner reap)

Ko-uchi-gaeshi

T2S3M4ko-uchi-gaeshi
Technique
manipulation: whole-body displacement (counter, major inner reap)

O-uchi-gaeshi

T2S3M4o-uchi-gaeshi
Technique
manipulation: whole-body displacement (counter, major outer reap)

O-soto-gaeshi

T2S3M4o-soto-gaeshi
Technique
manipulation: whole-body displacement (counter, hip sweep)

Harai-goshi-gaeshi

T2S3M4harai-goshi-gaeshi
Technique
manipulation: whole-body displacement (counter, inner-thigh)

Uchi-mata-gaeshi

T2S3M4uchi-mata-gaeshi
Technique
manipulation: whole-body displacement (counter, hip spring)

Hane-goshi-gaeshi

T2S3M4hane-goshi-gaeshi
Technique
manipulation: whole-body displacement (side sacrifice, leg scissors, prohibited)

Kani-basami

T1S3M4kani-basami
Technique
manipulation: whole-body displacement (side sacrifice, major outer wrap-around)

Osoto-makikomi

T1S3M4osoto-makikomi
Technique
manipulation: whole-body displacement (leg entanglement, prohibited)

Kawazu-gake

T1S3M4kawazu-gake
Technique
manipulation: whole-body displacement (side sacrifice, hip-sweep wrap-around)

Harai-makikomi

T1S3M4harai-makikomi
Technique
manipulation: whole-body displacement (side sacrifice, inner-thigh wrap-around)

Uchi-mata-makikomi

T1S3M4uchi-mata-makikomi
Technique
manipulation: whole-body displacement (sleeve lifting-pulling hip)

Sode-tsurikomi-goshi

T1S3M4sode-tsurikomi-goshi
Technique
manipulation: whole-body displacement (single-handed shoulder throw)

Ippon-seoi-nage

T1S3M4ippon-seoi-nage
Technique
manipulation: whole-body displacement (belt-grab reversal)

Obi-tori-gaeshi

T1S3M4obi-tori-gaeshi
Technique
manipulation: whole-body displacement (side sacrifice, minor inner wrap-around)

Ko-uchi-makikomi

T1S3M4ko-uchi-makikomi
Technique
non_combat: non_combat: artistic/philosophical form, not a coded combat primitive

Itsutsu-no-Kata: Ippon-me (first form)

itsutsu-no-kata-ippon-me
Technique
non_combat: non_combat: artistic/philosophical form, not a coded combat primitive

Itsutsu-no-Kata: Nihon-me (second form)

itsutsu-no-kata-nihon-me
Technique
non_combat: non_combat: artistic/philosophical form, not a coded combat primitive

Itsutsu-no-Kata: Sanbon-me (third form)

itsutsu-no-kata-sanbon-me
Technique
non_combat: non_combat: artistic/philosophical form, not a coded combat primitive

Itsutsu-no-Kata: Yonhon-me (fourth form)

itsutsu-no-kata-yonhon-me
Technique
non_combat: non_combat: artistic/philosophical form, not a coded combat primitive

Itsutsu-no-Kata: Gohon-me (fifth form)

itsutsu-no-kata-gohon-me
Technique
percussion: percussion: rectilinear or rotational hand strike (vital point, defensive counter)

Atemi: hand strike to a vital point

T2S1M1atemi-hand-strike
Technique
percussion: percussion: elbow strike (vital point, defensive counter)

Atemi: close-range elbow strike

T2S2M1atemi-elbow-strike
Technique
percussion: percussion: low kick (groin/knee/instep, defensive counter)

Atemi: kick or stamp to a low target

T2S1M2atemi-kick
Technique
manipulation: manipulation: joint control (defence against both wrists seized)

Kime-no-Kata: Ryote-dori (Idori)

T2S2M3kime-idori-ryote-dori
Technique
manipulation: manipulation: joint control (defence against a stomach punch)

Kime-no-Kata: Tsukkake (Idori)

T2S2M3kime-idori-tsukkake
Technique
manipulation: manipulation: joint control (defence against a rising palm strike)

Kime-no-Kata: Suri-age (Idori)

T2S2M3kime-idori-suri-age
Technique
manipulation: manipulation: frame control (defence against a temple strike)

Kime-no-Kata: Yoko-uchi (Idori)

T2S2M3kime-idori-yoko-uchi
Technique
manipulation: manipulation: whole-body displacement (defence against a rear grapple)

Kime-no-Kata: Ushiro-dori (Idori)

T2S3M4kime-idori-ushiro-dori
Technique
manipulation: manipulation: joint control (defence against a dagger stab to the stomach)

Kime-no-Kata: Tsukkomi (Idori)

T2S2M3kime-idori-tsukkomi
Technique
manipulation: manipulation: joint control (defence against a downward dagger slash)

Kime-no-Kata: Kiri-komi (Idori)

T2S2M3kime-idori-kiri-komi
Technique
manipulation: manipulation: joint control (defence against a dagger stab to the flank)

Kime-no-Kata: Yoko-tsuki (Idori)

T2S2M3kime-idori-yoko-tsuki
Technique
manipulation: manipulation: joint control (defence against both wrists seized, standing)

Kime-no-Kata: Ryote-dori (Tachiai)

T2S2M3kime-tachiai-ryote-dori
Technique
manipulation: manipulation: whole-body displacement (defence against a sleeve grab from behind)

Kime-no-Kata: Sode-tori

T2S3M4kime-tachiai-sode-tori
Technique
manipulation: manipulation: local-structure control (defence against a face punch, standing)

Kime-no-Kata: Tsukkake (Tachiai)

T2S2M3kime-tachiai-tsukkake
Technique
manipulation: manipulation: joint control (defence against a rising uppercut)

Kime-no-Kata: Tsuki-age

T2S2M3kime-tachiai-tsuki-age
Technique
manipulation: manipulation: whole-body displacement (defence against a rising palm strike, standing)

Kime-no-Kata: Suri-age (Tachiai)

T2S3M4kime-tachiai-suri-age
Technique
manipulation: manipulation: local-structure control (defence against a hooking body strike)

Kime-no-Kata: Yoko-uchi (Tachiai)

T2S2M3kime-tachiai-yoko-uchi
Technique
percussion: percussion: low kick (defence against a groin kick, counter-kick finish)

Kime-no-Kata: Ke-age

T2S1M2kime-tachiai-ke-age
Technique
manipulation: manipulation: whole-body displacement (defence against a rear grapple, standing)

Kime-no-Kata: Ushiro-dori (Tachiai)

T2S3M4kime-tachiai-ushiro-dori
Technique
manipulation: manipulation: joint control (defence against a dagger stab, standing)

Kime-no-Kata: Tsukkomi (Tachiai)

T2S2M3kime-tachiai-tsukkomi
Technique
manipulation: manipulation: joint control (defence against a short-sword slash, standing)

Kime-no-Kata: Kiri-komi (Tachiai)

T2S2M3kime-tachiai-kiri-komi
Technique
manipulation: manipulation: local-structure control (defence against a sword draw)

Kime-no-Kata: Nuki-gake

T2S2M3kime-tachiai-nuki-gake
Technique
manipulation: manipulation: joint control (defence against an overhead sword cut)

Kime-no-Kata: Kiri-oroshi

T2S2M3kime-tachiai-kiri-oroshi
Technique
manipulation: manipulation: joint control (wrist twist-lock, defensive counter)

Kote-hineri: wrist twist-lock

T2S2M3kote-hineri
Technique
manipulation: manipulation: joint control (wrist outward turn-lock, defensive counter)

Kote-gaeshi: wrist outward turn-lock

T2S2M3kote-gaeshi
Technique
manipulation: manipulation: joint control (defence against both wrists seized)

Goshin-jutsu: Ryote-dori

T2S2M3goshin-ryote-dori
Technique
manipulation: manipulation: joint control (defence against a left-lapel grip and push)

Goshin-jutsu: Hidari-eri-dori

T2S2M3goshin-hidari-eri-dori
Technique
manipulation: manipulation: joint control (defence against a right-lapel grip and pull)

Goshin-jutsu: Migi-eri-dori

T2S2M3goshin-migi-eri-dori
Technique
manipulation: manipulation: joint control (defence against a two-hand arm pin)

Goshin-jutsu: Kataude-dori

T2S2M3goshin-kataude-dori
Technique
manipulation: manipulation: joint control (defence against a rear collar grab)

Goshin-jutsu: Ushiro-eri-dori

T2S2M3goshin-ushiro-eri-dori
Technique
manipulation: manipulation: joint control (defence against a rear naked choke)

Goshin-jutsu: Ushiro-jime

T2S2M3goshin-ushiro-jime
Technique
manipulation: manipulation: whole-body displacement (defence against a rear bear-hug)

Goshin-jutsu: Kakae-dori

T2S3M4goshin-kakae-dori
Technique
manipulation: manipulation: whole-body displacement (defence against a diagonal strike)

Goshin-jutsu: Naname-uchi

T2S3M4goshin-naname-uchi
Technique
manipulation: manipulation: whole-body displacement (defence against a rising uppercut)

Goshin-jutsu: Ago-tsuki

T2S3M4goshin-ago-tsuki
Technique
manipulation: manipulation: joint control (defence against a face punch)

Goshin-jutsu: Ganmen-tsuki

T2S2M3goshin-ganmen-tsuki
Technique
manipulation: manipulation: whole-body displacement (defence against a front kick)

Goshin-jutsu: Mae-geri

T2S3M4goshin-mae-geri
Technique
manipulation: manipulation: whole-body displacement (defence against a side kick)

Goshin-jutsu: Yoko-geri

T2S3M4goshin-yoko-geri
Technique
manipulation: manipulation: joint control (defence against a drawn dagger held ready)

Goshin-jutsu: Tsukkake (against dagger)

T2S2M3goshin-tsukkake-dagger
Technique
manipulation: manipulation: joint control (defence against a straight dagger thrust)

Goshin-jutsu: Choku-tsuki (against dagger)

T2S2M3goshin-choku-tsuki
Technique
manipulation: manipulation: joint control, explicit disarm (defence against a diagonal overhead dagger stab)

Goshin-jutsu: Naname-tsuki (against dagger)

T2S2M3goshin-naname-tsuki
Technique
manipulation: manipulation: whole-body displacement (staff defence, opening technique)

Goshin-jutsu: Furi-age (against staff)

T2S3M4goshin-furi-age
Technique
manipulation: manipulation: whole-body displacement, explicit disarm (defence against an overhead staff strike)

Goshin-jutsu: Furi-oroshi (against staff)

T2S3M4goshin-furi-oroshi
Technique
manipulation: manipulation: joint control (defence against a two-handed staff thrust)

Goshin-jutsu: Morote-tsuki (against staff)

T2S2M3goshin-morote-tsuki
Technique
manipulation: manipulation: joint control, explicit disarm (defence against a pistol pointed from the front)

Goshin-jutsu: Shomen-zuke (against pistol)

T2S2M3goshin-shomen-zuke
Technique
manipulation: manipulation: joint control, explicit disarm (defence against a pistol held at the hip)

Goshin-jutsu: Koshi-gamae (against pistol)

T2S2M3goshin-koshi-gamae
Technique
manipulation: manipulation: joint control, explicit disarm (defence against a pistol pointed from behind)

Goshin-jutsu: Haimen-zuke (against pistol)

T2S2M3goshin-haimen-zuke
Technique
manipulation: manipulation: whole-body displacement (armor-era, opening technique)

Koshiki-no-Kata: Tai (Omote 1)

T2S3M4koshiki-omote-tai
Technique
manipulation: manipulation: whole-body displacement (armor-era)

Koshiki-no-Kata: Yume-no-uchi (Omote 2)

T2S3M4koshiki-omote-yume-no-uchi
Technique
manipulation: manipulation: whole-body displacement (armor-era)

Koshiki-no-Kata: Ryoku-hi (Omote 3)

T2S3M4koshiki-omote-ryoku-hi
Technique
manipulation: manipulation: whole-body displacement (armor-era)

Koshiki-no-Kata: Mizu-guruma (Omote 4)

T2S3M4koshiki-omote-mizu-guruma
Technique
manipulation: manipulation: whole-body displacement (armor-era, simulated weapon)

Koshiki-no-Kata: Mizu-nagare (Omote 5)

T2S3M4koshiki-omote-mizu-nagare
Technique
manipulation: manipulation: whole-body displacement (armor-era)

Koshiki-no-Kata: Hiki-otoshi (Omote 6)

T2S3M4koshiki-omote-hiki-otoshi
Technique
manipulation: manipulation: whole-body displacement (armor-era, tori-opened)

Koshiki-no-Kata: Ko-daore (Omote 7)

T2S3M4koshiki-omote-ko-daore
Technique
manipulation: manipulation: whole-body displacement (armor-era, tori-opened)

Koshiki-no-Kata: Uchi-kudaki (Omote 8)

T2S3M4koshiki-omote-uchi-kudaki
Technique
manipulation: manipulation: whole-body displacement (armor-era) — distinct technique from the Gokyo throw of the same name

Koshiki-no-Kata: Tani-otoshi (Omote 9)

T2S3M4koshiki-omote-tani-otoshi
Technique
manipulation: manipulation: whole-body displacement (armor-era)

Koshiki-no-Kata: Kuruma-daore (Omote 10)

T2S3M4koshiki-omote-kuruma-daore
Technique
manipulation: manipulation: whole-body displacement (armor-era, armor neck-guard reference)

Koshiki-no-Kata: Shikoro-dori (Omote 11)

T2S3M4koshiki-omote-shikoro-dori
Technique
manipulation: manipulation: whole-body displacement (armor-era, counterpart to Shikoro-dori)

Koshiki-no-Kata: Shikoro-gaeshi (Omote 12)

T2S3M4koshiki-omote-shikoro-gaeshi
Technique
manipulation: manipulation: whole-body displacement (armor-era, tori-opened)

Koshiki-no-Kata: Yu-dachi (Omote 13)

T2S3M4koshiki-omote-yu-dachi
Technique
manipulation: manipulation: whole-body displacement (armor-era, tori-opened)

Koshiki-no-Kata: Taki-otoshi (Omote 14)

T2S3M4koshiki-omote-taki-otoshi
Technique
manipulation: manipulation: whole-body displacement (armor-era)

Koshiki-no-Kata: Mi-kudaki (Ura 1)

T2S3M4koshiki-ura-mi-kudaki
Technique
manipulation: manipulation: whole-body displacement (armor-era)

Koshiki-no-Kata: Kuruma-gaeshi (Ura 2)

T2S3M4koshiki-ura-kuruma-gaeshi
Technique
manipulation: manipulation: whole-body displacement (armor-era)

Koshiki-no-Kata: Mizu-iri (Ura 3)

T2S3M4koshiki-ura-mizu-iri
Technique
manipulation: manipulation: whole-body displacement (armor-era, tori-opened feint)

Koshiki-no-Kata: Ryu-setsu (Ura 4)

T2S3M4koshiki-ura-ryu-setsu
Technique
manipulation: manipulation: whole-body displacement (armor-era, standing pull-down)

Koshiki-no-Kata: Saka-otoshi (Ura 5)

T2S3M4koshiki-ura-saka-otoshi
Technique
manipulation: manipulation: whole-body displacement (armor-era)

Koshiki-no-Kata: Yuki-ore (Ura 6)

T2S3M4koshiki-ura-yuki-ore
Technique
manipulation: manipulation: whole-body displacement (armor-era, tori-opened feint)

Koshiki-no-Kata: Iwa-nami (Ura 7)

T2S3M4koshiki-ura-iwa-nami
Technique
manipulation: manipulation: whole-body displacement (armor-era demonstration form)

Ju-no-Kata: Tsuki-dashi (Set 1)

T2S3M4ju-set1-tsuki-dashi
Technique
manipulation: manipulation: joint control (armor-era demonstration form)

Ju-no-Kata: Kata-oshi (Set 1)

T2S2M3ju-set1-kata-oshi
Technique
manipulation: manipulation: whole-body displacement (armor-era demonstration form, ura-nage entry)

Ju-no-Kata: Ryote-dori (Set 1)

T2S3M4ju-set1-ryote-dori
Technique
manipulation: manipulation: whole-body displacement (armor-era demonstration form, seoi-nage entry)

Ju-no-Kata: Kata-mawashi (Set 1)

T2S3M4ju-set1-kata-mawashi
Technique
manipulation: manipulation: joint control (armor-era demonstration form)

Ju-no-Kata: Ago-oshi (Set 1)

T2S2M3ju-set1-ago-oshi
Technique
manipulation: manipulation: joint control (armor-era demonstration form)

Ju-no-Kata: Kiri-oroshi (Set 2)

T2S2M3ju-set2-kiri-oroshi
Technique
manipulation: manipulation: joint control (armor-era demonstration form)

Ju-no-Kata: Ryokata-oshi (Set 2)

T2S2M3ju-set2-ryokata-oshi
Technique
manipulation: manipulation: whole-body displacement (armor-era demonstration form, ura-nage entry)

Ju-no-Kata: Naname-uchi (Set 2)

T2S3M4ju-set2-naname-uchi
Technique
manipulation: manipulation: whole-body displacement (armor-era demonstration form, hip-throw entry)

Ju-no-Kata: Katate-dori (Set 2)

T2S3M4ju-set2-katate-dori
Technique
manipulation: manipulation: joint control (armor-era demonstration form)

Ju-no-Kata: Katate-age (Set 2)

T2S2M3ju-set2-katate-age
Technique
manipulation: manipulation: whole-body displacement (armor-era demonstration form, hip-throw entry)

Ju-no-Kata: Obi-tori (Set 3)

T2S3M4ju-set3-obi-tori
Technique
manipulation: manipulation: joint control (armor-era demonstration form)

Ju-no-Kata: Mune-oshi (Set 3)

T2S2M3ju-set3-mune-oshi
Technique
manipulation: manipulation: joint control (armor-era demonstration form, entangled-armlock entry)

Ju-no-Kata: Tsuki-age (Set 3)

T2S2M3ju-set3-tsuki-age
Technique
manipulation: manipulation: joint control (armor-era demonstration form, choke entry)

Ju-no-Kata: Uchi-oroshi (Set 3)

T2S2M3ju-set3-uchi-oroshi
Technique
manipulation: manipulation: whole-body displacement (armor-era demonstration form, hip-throw entry)

Ju-no-Kata: Ryogan-tsuki (Set 3)

T2S3M4ju-set3-ryogan-tsuki
Statistical analysis

Shape of the vocabulary

How the linked techniques distribute across the facets, counted once each.

Temporal — who acts firstn=182 types
T2 53%T1 47%
Spatial — range of resolutionn=182 types
S3 59%S2 40%S1 2%
Modal — mechanismn=182 types
M4 59%M3 39%M1 1%M2 1%

Reading

This is the vocabulary’s reach. The forms’ signature, when encoded, shows what the curriculum emphasises.